Youth and Marketing
Subject: Cinema Advertising
Abstract
Brown & Williamson internal correspondence: information on cinema advertising. Outlines cinema advertising campaign for 1983. States 60% of adult movie goers are 18 - 34. States "Cinema advertising will help somewhat to deliver impressions to persons currently reached at low frequency levels." States Brown & Williamson currently has 33% of screens in the U.S. under contract. Examines efficiency of cinema advertising and rates it highly. Gives production requirements, start and end dates of campaign.
Fields
- Notes
Original document code was 797.
- Company
- Brown and Williamson Tobacco Corp.
- Minor Subject
- Advertising and Marketing -media spending
- Advertising and Marketing -movie theatre --movie trailer
- Advertising and Marketing -target market --adult (25+ years old)
- Advertising and Marketing -target market --young adult (18-24 years old)
- Cigarette -advertising and marketing
- Tobacco Industry -marketing policies
- Advertising and Marketing -movie theatre --movie trailer
- Copied
- Blott, Richard A
- Canary, F
- Wallace, S A
- Canary, F
- Marketing Type
- MovieTr
- Author
- Coleman, J M
- Major Subject
- Advertising and Marketing
- Cigarette
- Recipient
- Domantay, N V
Document Images
FROM
SUSJECT
0. Co]eman
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BROWN & W)LLIAMSON TOBACCO CORPOAATION
INTERNAL CORRESPONDENCE
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DATE Apr,1 ~0. ]g83~
lobed is the information you requested on cinema advertising. I
have arranged this data according to the following classifications;
Media and Production.
If you have additional questions, please let me know.
M.C.
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I MEDIA
A. AUDIENCE CHARACTERISTICS
1. Adult movie goers skew young and are split 515 male and 49%
female. Sixty percent of adult movie goers are between the
ages of 18-34.
2. Smoking incidence is average - 36.4% of average adult movie
audience smokes as compared with 35.9% of all adults (SMRB - 19Bl)
3. Movie attendance is more frequent among population segments
heavily exposed to magazines and outdoor, while it is fairly
flat with respect to newspaper reading.
Magazines - Index
Outdoor- Index
Newspapers - Index
One or More Movies in 30 Days
By Media Quintiles
~i q2 Q3 ~ Q5
135 ~09 99 96 71
128 I08 97 gl 76
106 97 I12 ID6 B6
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The media skews are consistent with observed age skews. Even
though movie attendance drops off in the lightest magazine and
outdoor quinti~es, cinema advertisinq will he~ semewhat to
deliver impressions to persons current1~ reached at low fre ue~uen~y_
level%,
B. CPM/IIITER-I!EDIA EFFICIENCY
I. Detailed below are the REV vreighted compositions of movie
audiences based on 1981 SMRB data.
Composition of CPM
Avg. Movie Audience :90
Total Smokers 36,4% $110
Barclay REV 35.4 I13
Belair REV 34.0 I18
Kool REV 41.0 [~
Raleigh REV 33.0 121
Viceroy REV 35.8 109
As expected, the most efficient REV movie audience is for KOOL.
Please note, the above CPM's are based on a 90 second trailer.
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On the basis of a 30 second trailer and factored for ad
recall scores, cinema advertising becomes an efficient
vehicle for B&W.
CINEMA REACH
I. BWT currently has 4500 (or 33%) of the 14,ogo screens in the
U. S, under contract. We are currently working to acquire the
screens of General Cinema which account for another 7% (fOOD)
of the total screens, plus as many other screens as possible.
2. Potential twelve-month reach for all cinemas is 60% of s~okers
at least once. Since BWT has 33% of all ~ie screens under
contract, BWT's reach a6ainst smokers would be 20% (60% x .3g).
3. Potential gO-day reach for all cinemas is 25% of smokers at least
once. This rate translates to 8% once it is factored by number
of screens under contract.
4. Detailed below are reach, frequency and GRPs for all smokers.
REACH FREQUENCY GRPs
25% at least once in 30 days 2.5 62.5
42% at least once in go days 4.5 189.0
53% at least once in 6 months l,l 376,g
50% at least once in 12 months 12.5 750.0
This chart highlights the fact that one brand should not use
more than six months of cinema durin? any one year. After six
~onths, reach increases only 13% while frequency increases 76%.
However, this increase in frequency is primarily against the
frequent movie goer. In addition, one brand should not be in
sequential flights because of the possibility of ad wearout.
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EFFICIENCY COMPARISON
1. Detailed below are the CPM's to reach smokers for various
media vehicles.
Cinema Advertising (JMC est.-30 sec) $28.00
Magazine (pg. 4C)* 6.50
Newspaper (1800 llne B/W)* 22.00
Billboard 3D-sheet (50 GRP)* 2.00
TV (prime time 30 sec.)* ll.lO
*C&W estimate based on IgRg cost to reach smokers. Print and
out-of-home based on BNT IgB2 plans. TV based on C&W TV cost
estimates factored to reach smokers.
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II
By combining the s~ker EPl1's and the recall percentages, we
can get an idea of the relative cost effectiveness of each
vehicle. The following chart shows what I% of recall cost
for each vehicle. (Smoker CPM ~ Ad Recall).
E,
SMOKER AD COST PER I%
CPM RECALL RECALL ACHIEVED
Cinema 528.00 B2 $.34
Magazine 5.50 13 .q2
Newspaper 22.00 lO 2.20
Billboard 2.DO 6 .33
TV II.I0 23 .4B
This chart shews that cinema advertising is as efficient as
out-of-home and more efficient than magazines, nevspapers and
TV. See Exhibit II for additional cost comparisons, based on
each Brand's specific target audience.
TARGETING
I°
BWT currently has the ability to target trailers by ADI.
In the future, targeting by trading area will be possible.
2°
BWT's trailers will not be shown in conjunction with "G"
rated movies.
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The ability to target trailers to specific movies is being
explored. However, our trailers win not be run before any
movies we consider objectionable (i.e. antithetical in nature).
PRODUCTION
PRODUCTION REQUIRErIENTS
I. Basic production requirements are as follows:
CRI-35mm color negative. (i.e, notched scene-for-scene
and color balanced scene-for-scene).
Optical 35mm soundtrack.
' 35mmmixed magnetic stripe mono soundtrack.
1.85:1 aspect ratio. Flat print for widescreen projection.
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In additionp it is important for the effectiveness of the B&W
Commercial execution that the audio track be on mono for the
follo~dng reasons:
' Less than ten (lO) percent of all threatres are equipped
with sterio or dolby. This is due to the high cost of such
equipment to the theatre.
The majority of theatres have multiple screens. The error
factor in getting the dolby/sterio print on the right screen
is extremely high.
When a dolby print plays in a mono system there is at least
a ten CIO) percent less of amplification.
With a loss of ten (I0) percent of the volume the projectionist
must manually adjust up. Our experience with this has been
disastrous i.e. it is adjsut~d ~ too high o~ too luw and
causes audience irritation and complaints.
The production of the duplicate trailers will cost approximately
$21.00 per trailer or $94m for 45D0 screens. The trailers will
last approximately 4-6 ~eeks, so duplicates must be made for
each flight.
Exhibit I sets out the closing date for each flight in IgBg.
BWT has co~itted to be in the flight starting June lO, lg8g.
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|DATE: 7/6/82)
EXHIBIT I
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START CAMPAIGN END CAMPAIGN
Friday, December 24Thursday, January 20
Friday, January 21 Thursday, February 17
Friday, February 18 Thursday, March 17
Friday, March 18 Thursday, Aprll 14
Friday, April 15 Thursday, May 12
Friday, May ~3 Thursday, June 9
Friday, June I0 Thursday, July 7
Friday, July 8 -Thursday, August 4
Friday, August 5 Thursday, September l
Friday, Septemb, r 2 Thursday, September 29
Friday, September 30 Thursday, October 27
Prid,*y, October 28 Thursday, Nsvun~cr 24
Fciday, November 25 Thursday, December 22
CLOSING I)ATE
Fri<~ay, Nov%l~bcr 12
Friday, Deon::bu~- 10
Friday, JaI~udry -
Friday, February 4
Friday, March 4
Friday, April l
Friday, April 29
Friday, May 27
Friday, June 24.
Friday, July 22
Friday, August 19
Frld~y, September ]6
Friday, October 14
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* Production material
must be recolvcd on or before the closing date,
