Tobacco Products Control Act Trial
Document 007A
Fields
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- Guildford
Document Images
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LIST OF OBJECTIONS
Objection .................
Objection .................
Objection .................
Objection .................
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451
459
AUDIOTRANSCRIPT, D~,,i,~oo de Pierre Vilaire & Associ~s Lt4e

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LIST OF UNDERTAKINGS
Provide audited financial statements
from 1976 through 1987 ..........
Determine whether Petitioner ever ran a
series of ads called "Smoke Smart" ....
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490
AUDIOTRANSCRIPT, Division de Pierre Vilaire & Associ4s L,4e

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In the year of Our Lord nineteen hundred and eighty-nine
(1989), on this twenty-seventh (27th) day of the month of
September, PERSONALLY CAME AND APPEARED:
Me COLIN K. IRVING:
Pour la requ~rante RJR-Macdonald, Colin Irving et
Georges Thibaudeau.
Me SIMON V. POTTER:
Et pour la requ~rante Imperial, Simon Potter, Lyndon
Barnes, Pierre Bienvenu et Greg Bordan.
Me ROGER E. BAKER, Q.C.:
Pour l'intim~ le Procureur g~n~ral du Canada, Roger
Baker, Lise Tremblay, Claude Joyal et James Mabbutt.
AUDIOTRANSCRIPT, Division de Pierr~ Vilaire & Associ4s Lt~e

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In the year of Our Lord nineteen hundred and eighty-nine
(1989), on this twenty-seventh (27th) day of the month of
September, PERSONALLY CAME AND APPEARED:
PETER HOULT,
WHO, having been duly sworn on the Holy Bible, doth depose
and say as follows:
CROSS-EXAMINATION BY Me ROGER E. BAKER, Q.C.,
for Respondent:
Q- Do you recall, Mr. Hoult, you were talking yesterday
about information in the advertising?
Yes.
Do you distinguish in respect of information between new
brands and existing brands?
Well, in that new brands frequently have the descriptor
"New", yes.
"New"?
Yes.
So, that would be the most unique way, in your company's
advertising, of giving information in a new
advertisement or in an advertisement for a new brand, is
that correct, by calling it "new"?
Yes, or some word which is the equivalent of "new".
AUDIOTRANSCRIPT, Division de Pierre Viloire

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Hm, hm. And that is supposed to be information on which
the consumer would relate to and deal with and perhaps
act on it?
Yes.
And apart from describing something as new, in a general
sense if you might, could you tell the Court what other
kinds of things you do in respect of new brands, the
advertising of new brands?
Well, a new brand usually but not always would focus
upon the packaging, and the packaging would be very
strongly illustrated so that the potential consumer or
purchaser of that would recognize that brand.
Focus on the packaging?
Yes.
What do you mean by "focus on the packaging"?
Well, the packaging would be well illustrated, it would
be normally large, the packaging, of course, being the
most recognizable element of a new brand, at least
initially and until the smoker had tried the cigarette.
Is that information? Do you actually mean to say that
illustrating the package is information?
Oh, it's very important information, yes.
You mean the color of the package is important
information?
I mean the color of the packaging and the name of the
AUDIOTRANSCRIPT, Division de Pierre Vilaire & Associ~s Ll~e

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brand...
I'm talking about the packaging per se.
Yes.
Leave the name out for a moment, please, Mr. Hoult.
No, but the name is part of the packaging.
I see. All right. So would you give us an example?
An example of a new brand advertisement?
Yes.
Well...
An illustration of what you've just said.
If we were introducing a line extension to the Export
family -- and I remember very clearly,-when I first came
to Canada in nineteen seventy-nine (1979), the first new
brand I introduced was Export "A" Medium, which was a
blue package. It was introduced about four (4) months
after I joined the company. The whole advertisement was
essentially the pack, the descriptor "New" was there, we
were very keen to communicate that this was a line
extension, the pack looked exactly like the parent,
except it was blue rather than green.
Exactly like the parent, except that -- I beg your
pardon?
Except that it was blue rather than green.
The package?
The package.
AUDIOTRANSCRIPT, Division de Pierre Viloire & Associ~, Lt~e

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THE COURT:
Q- Would you refresh my memory as to what is a line
extension new product?
A- Yes. I was referring, My Lord, earlier in my testimony,
to families of brands. And families of brands usually
start with one when it's a successful brand. And as
consumer tastes and wants change over time, you would
capitalize on the name of the parent, like Export, and
you would introduce new brands which were clearly
intended to benefit from the heritage of the parent but
add something new, whether it be lower tar and nicotine,
lightness or mildness or length. And these are called
They're extensions from the main
line extensions.
family line.
Me BAKER:
Q-
In your experience, Mr. Hoult, in the Canadian cigarette
market, would you say that the three (3) major
companies, really the three (3) only companies that
produce cigarettes in this country, that is to say
Imperial, RJR and Rothmans Benson & Hedges, tend to
advertise in somewhat the same fashion?
In general terms, yes.
In general terms, yes. And of course, it's part of your
company's practice and after your own as a marketing, as
a former marketing vice-president, to look at the other
AUDIOTRANSCRIPT, Division 4, Pierre Vilalre & Associ~s Lt~e

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companfes as to see what they're doing and to see how
their brands are doing and to track things of that
nature? Would that be fair to say?
A- Yes, we do.
Q- Mr. Hoult, I'm going to show you a December, nineteen
eighty-eight (1988), copy of Montreal Magazine.
Me IRVING:
Are we to look at the cover?
Me BAKER:
My Lord, before I put these documents to the witness, I
would like to show you the magazines, so you'll
understand what we're doing. And it will be three (3)
ads appearing where there are yellow tabs.
THE COURT:
Do you have an objection to make?
Me IRVING:
My Lord, I was simply going to observe, as you will
notice, that those are not RJR-Macdonald ads. If my
friend wishes, given Mr. Hoult's qualifications, to ask
opinion evidence, I don't object.
Me BAKER:
Q- Now, Mr. Hoult, I am opening this magazine. Just inside
the front cover, you will see a fold-out of what appears
to be a zebra across the three (3) frames, stamped on
which you see the words "Benson & Hedges". And at the
AUDIOTRANSCRIPT, Division de Pierre Vilaire & Associ~s Lt~e

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bottom, you see the warning of the Department of Health
Do you see that?
and Welfare.
I do.
Hm, hm.
From your experience in the cigarette industry,
would you take that to be an advertisement for
cigarettes, Mr. Hoult?
I know it's an advertisement for cigarettes from my
experience in the industry. Are you asking me...
Address yourself to the Judge, please.
I know that's an advertisement for cigarettes because I
know the name Benson & Hedges.
Thank you. Now, could you look at that advertisement,
please, and tell the Court what information is in that
advertisement?
I think that is a very poor ad because I think the
amount of information is minimal. The only information
I see in that ad is Benson & Hedges, the name, and of
course the health warning. We have evaluated this ad
and I am aware that its effectiveness is very low, for
reasons that I've intimated earlier: the amount of
information on it is both low and ineffective.
Hm, hm. So you don't think they would have evaluated it
-- of course, I'm asking you to speculate -- the way
you...
AUDIOTRANSCRIPT, Division de Pierre Vilaire & Associ4s [t4e

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THE COURT:
Well, don't you think that's not the proper witness to
testify on a Benson & Hedges ad? I mean to what --
what
probative value would that have?
Me BAKER:
My Lord, this man is one of the senior tobacco
executives in the world. With respect, I think his
views on either his own company's ads or other companies
ads are of extreme importance for you to appreciate what
it is that these companies do with their advertising.
THE COURT:
Well, I think what's important to me is what they do in
RJR with their advertisement, and we will see what
Imperial Tobacco, what they do. But I mean, how can he
comment on what Benson & Hedges wanted to do with that,
unless to speculate that they were trying to get some
market and try to seduce somebody by some imagery? But
apart from that, I mean he hasn't been privy to the
conception of that ad.
Me BAKER:
With great respect to you, My Lord, if Mr. Hoult is not
an appropriate person to analyze an ad for Your
Lordship, how then can we expect the consumer who is
looking at that ad, or any other company's ads, his
company's or any of the other company's, to appreciate
AUDIOTI~ANSCI~IPT, D~v~ioo ae Pierre
