American Tobacco
Approval Recommendation - Lucky Strike Package Design Exploratory
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- Bogie-Jc, Atco
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~ ~THE
AMERICAN
TOBACCO
COMPANY
Memorandum
A7825 G ~7)
yO
~rom
~er
Mr. R. E. Smith,
Vice President - Brand Management
J~n~zy 7, 1991
DaI~
J. C. Bogie, Product M~ager
Approval Recc~me~dation - LUCKY STRI~ Package Design Exploratory
This document will serve as a recommendation to conduct the
initial phases of a package design exploratory for the total
LUCKY STRIKE product line.
LUCKY STRIKE Non-Filter was introduced in 1916 with its
classic green package. The green pack was changed to white
in 1942 because the chromium needed to produoe green inR
became a valued war commodity.
It wasn't until 1981 that LUCKY STRIKE introduced its
Filtered King size LOW Tar product. A new package design
~nd ~odified bull's eye Has used. Soon ~fter the kings were
introduced the 100"s style was introduced using the same
package design.
Then, in 1984 LUCKY STRIXE Lights were introduced in King
and 100"s soft pack styles. Th~ packaging for these styles
was again different from Non-Filters and the Low Tar
packages. The silver striped packaging with yet still
another slightly different treatment of the bull's-eye was
used for the Lights product.
Attached for your review is a color photo copy of the eDtire
LUCKY STRIKE line of packaging.
R~COMM]ENDAT~ON
It is recommended that LUCKY STRIKE conduct the initial
phases of a package design exploratory ($30,000).
The
exploratory will cover design development through
preparation of quality silkscreened comprehensives for the
Low Tar ~nd Lights King Soft Packs.

Mr. R. E. Smith
January 7, 1991
Page TWO
The following will identify the key rationale in support of
this recommendation:
i. Consumers ~ention packaging as one of the four
important criteria in selecting their ideal
cigarette. The four key criteria are:
Image
Taste
~ackage
Price
Thus, optimal packaging is critical to successfully
competing in the cigarette industry.
2. An integrated look across all styles can provide an
image of quality. In combination with LUCKY STRYKE'S
more competitive iowsr price, this should result in
the brand being perceived as a good value.
Establishing a desirable and compelling quality image
along with an acGeptable price will give consumers
the sense that LUCKY STRIKE is a good value. This
packaging and pricing strategy has been most recently
accomplished by Montolair and was undoubtable
important to its current success.
3. We need to conduct LUCKY'S packaging design
exploratory while we're still resolving the brand's
pricing strategy. This will put the brand in an ever
stronger marketing position to be relaunched in the
near future. Thus, the brand,s optimal packaging
design should be resolved prior to the completion of
the sub-generic price test.
4. Dramatic or significant changes are needed to reverse
LUCKY Filter's -24% annual sales decline. An
integrated quality paokage design alone m~y not
reverse the decli~e, but Gan be one importaDt
contribution in slowing or reversing the decline.
5. Introducing a new line of packages for LUCKY STRIKE
provides some news value to the trade and consumer.
Introducing packages that appeal to a young adult
male target (21-29) may provide an additional
motivation for them to try the brand. If supported
with media, this can help our selling efforts as it
provides a new reason for the trade to display the
brand and could even be tied into the 75th
anniversary of the brand.

Mr. R. E. smith
Jan%laY~] 7 , 1991
Page Three
6.
7,
Onr Major competitors, Marlboro and Camel, both offer
an integrated and totally consistent package design
and brand name/logo treatment across all their
package styles. These brands have successfully
attracted the young adult male audience and can be
our role model in how to create one image or one
badge in a package line.
An integrated package design look can provide for
greater in-store presence. One package or carton
color with integrated bull's-eye design can better
compete as a "family" in today's cluttered in-store
environment.
PACKAGE DESIGN DEI<ELOPMENT
Peterson and Blyth will develop the new integrated packaging
line for LUCKY. This approval recommendation is for the
initial phases of a package design exploratory. This ~ill
provide us key insights i~to whether an improved package
design can be developed and will help the selling appeal of
the brand. Once w~'ve ~ad~ thi~ determination, additional
funds will be required to complete the design development
for the other styles and cartons.
The ebjective of the design work is to heighten the quality
image and p~ovide a closely integrated look to the LUCKY
ST~I~E package line. Due to the i~portance of the King size
to LUCKY's target audience the package design exploratory
should focu~ on that size. This would help economize on the
development costs and translating the final ~ing ~ize
designs to 100"s size should be relatively easy. There are
two starting points that see~ to make sense:
i. Use the Non-Filter white look across all styles.
2. Use the nostalgic green package look for Non-Filters
and Low Tar and the current white Non-Filtered look
for Lights.
Once the optimal package design has been determined, as
p~evieusly ~entioned additional design work will be
required. Specifically what will be needed are side and end
panel design work, design work for the re~aining three
styles, oarto~ designs a~d reproduction artwork. It was
estimated this phase of the package design expleratory would
cost an incremental $32,000.

Mr. R. E. smith
January 7, 1991
Page Four
Providing consumers with a package they are proud to display
is unquestionably a critical asset to successfully marketing
a cigarette. LUCKY STRIKE can benefit from a hi~2er quality
image and more integrated family design. A package design
exploratory will enable us to optimize LUCKY'S package and
provide so~e real news valu6 for our target. A n~ paGkaqe
can hopefully provide added motivation for consumers to try
the brand.
Your approval of this recommendation is requested.
$cB/fso
Packaqe2/l-4

Approval Recommendation - LUCKY STRIKE Package Design EXploratory
J. M. Ookers
J. E. Vyse
R. J. Leisure
G. T. Touger Date
T. P. Kriz Date
R. E. Smith Date
R. M. Spight Date
Date T.A. Albert Date
Date E.J. Gesell Date
Date J.J. Mellett Date
D. S. Johnston Date
W. J. Moore Date
C. H. Mullen Date

LUCKY STR_~KE PACKAGE DESIGN EXPLO~ATOR~
OBJECTIVE
The objective of the package design work is to obtain a closely
integrated and family look to the LUCKY STRIKE package line.
DIP~CTION
Due to the importance of the King size to LUCKY's target
audience (M 21-59) the package design exploratory should focus
on that size. This would help economize on the development
costs and translating the final ~ing designs to 100's size
should be relatively straight forward. There are two starting
points that seem to make sense:
i.
2.
Use the Non-Filter ~hite look across all styles.
Use the nostalgic green package look for Non-Filters
and Low Tar and the current white Non-Filtered look
for Lights.
Once the package designs have been determined, the carton
designs should be a direct translation from the packages.
